what
Hullo. There's an about me and an ask box under this text. Have a nice life.
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#wow      #now i want fancy underwear      #ladies     
1 hour ago      24,257 notes      via      ©      reblog

virgovirno:

Feminism INCLUDES intersectionality. If you purposefully exclude colored women, disabled women, trans women, muslim women, poor women, and queer women, you are NOT a feminist. If you choose to ignore the intersectionalities that shape a womans life such as her race, gender identity, sexuality, and class, you are NOT a feminist. If your feminist agenda ONLY touches upon western rape culture and sex positivity, you are NOT a feminist.

#feminism      #yes     
2 hours ago      2,727 notes      via      ©      reblog
fashionsfromhistory:


La Capresses des Colonies
Charles-Henri-Joseph Cordier
1861

In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 that abolished slavery in France and its colonies, writing: “My art incorporated the reality of a whole new subject, the revolt against slavery and the birth of anthropology.” In pioneering ethnography as a subject for sculpture in the nineteenth century, Cordier aimed to illustrate what he described as “the idea of the universality of beauty.” His busts often paired couples of the opposite sex but of the same race. This rare instance of matched busts of women was desired by the purchaser, a gaming club in Marseilles, that also commissioned the sumptuous Second-Empire pedestals from Cordier. 
The busts revel in the period taste for polychromy in sculpture, an international phenomenon sparked by artistic debates about the painting of ancient statuary and inspired by ancient Roman and Renaissance sculpture composed of variously colored marbles. On a trip to Algeria in 1856 Cordier discovered onyx deposits in recently reopened ancient quarries and began to use the stone in busts such as these. He ingeniously fitted enameled bronze heads into the vibrantly patterned stone, creating exciting though costly representations of Africans that appealed to the highest levels of European society. (MET)

MET

fashionsfromhistory:

La Capresses des Colonies

Charles-Henri-Joseph Cordier

1861

In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 that abolished slavery in France and its colonies, writing: “My art incorporated the reality of a whole new subject, the revolt against slavery and the birth of anthropology.” In pioneering ethnography as a subject for sculpture in the nineteenth century, Cordier aimed to illustrate what he described as “the idea of the universality of beauty.” His busts often paired couples of the opposite sex but of the same race. This rare instance of matched busts of women was desired by the purchaser, a gaming club in Marseilles, that also commissioned the sumptuous Second-Empire pedestals from Cordier. 

The busts revel in the period taste for polychromy in sculpture, an international phenomenon sparked by artistic debates about the painting of ancient statuary and inspired by ancient Roman and Renaissance sculpture composed of variously colored marbles. On a trip to Algeria in 1856 Cordier discovered onyx deposits in recently reopened ancient quarries and began to use the stone in busts such as these. He ingeniously fitted enameled bronze heads into the vibrantly patterned stone, creating exciting though costly representations of Africans that appealed to the highest levels of European society. (MET)

MET

#sculpture      #gorgeous ugh     
3 hours ago      387,482 notes      via      ©      reblog

"Everybody is clever, just in their own ways" - Matt Groening

"Everybody is clever, just in their own ways" - Matt Groening

#the simpsons      #hah     
4 hours ago      9,856 notes      via      ©      reblog

artblog-with-lots-of-booty:

Ryan Woodward Sketches Part 1

#art      #sketckes      #HOLY SHIT     
5 hours ago      171,626 notes      via      ©      reblog

risaellen:

vinesause:

eddiecardona:

i have money. i can drive.. i can get myself an entire thing of cupcakes right now…

image

no one man should have all that power

image

#u go girl     
6 hours ago      41,559 notes      via      ©      reblog
pootee:

Stairway to Heaven.
Left After Assad Bombing in Aleppo

pootee:

Stairway to Heaven.


Left After Assad Bombing in Aleppo

#shit      #photography     
8 hours ago      40,664 notes      via      ©      reblog

wineforthree:

GOOD B Y E

#daria      #HAA     
9 hours ago      103,640 notes      via      ©      reblog
#dog      #OH GOD     
10 hours ago      336,147 notes      via      ©      reblog
#that's so raven      #beautiful     
11 hours ago      469 notes      via      ©      reblog
#alex kingston      #goddess     
23 hours ago      123,872 notes      via      ©      reblog

hexephra:

mishollins:

chemicalaccess:

can-u-not-my-wayward-son:

i-am-mishafuckingcollins:

silentswirls:

i-am-mishafuckingcollins:

mishollins:

Finish the sentence: Do me 

a favor and do me

a favor

and fucking do me

a favour

and then after that you’re going to fucking do me

a favor

#I’d say ‘that escalated quickly’#but actually it refused to escalate anywhere

1 day ago      96,135 notes      via      ©      reblog

nickfuckface:

people who are rude to their parents
image
people who are rude to other people’s parents
image

1 day ago      239,584 notes      via      ©      reblog
suchacard:

beautilation:

X-ray image of a pregnant cat with six kittens.

Yknow how sometimes life is just so cool you can’t even believe that things work

suchacard:

beautilation:

X-ray image of a pregnant cat with six kittens.

Yknow how sometimes life is just so cool you can’t even believe that things work

1 day ago      24,745 notes      via      ©      reblog
ethiopienne:

on today’s episode of me having feelings, a series of tweets about “anti-rape nail polish.”

ethiopienne:

on today’s episode of me having feelings, a series of tweets about “anti-rape nail polish.”

#rape culture     
©